(Above) Community House #2. Photo by Joni Mayhan

 

We returned to Community House #2 for the second time this month, hoping to connect with the souls who still linger there. We know there are many of them because we’ve communicated with them on previous investigations. We just didn’t know if they would be willing to talk to us or not.

During our first investigation of the season, we were treated to the sound of footsteps above us, but it wasn’t to be the case for this investigation. As we settled in for an EVP session on the first floor, the second floor hallways were quiet.

Amanda Bryden, who is in charge of the state buildings and is a well-versed historian, began telling the group about the supposed demise of Frenchman George Gerard. During the early 1800’s Mr. Gerard moved to town, but was having money issues. Money that was promised to him hadn’t arrived yet and his financial situation was growing bleaker by the day. In despair, he resorted to suicide, hanging himself from a ceiling rafter on the second floor of the dormitory building. Days later, the envelope containing the money he was awaiting was discovered on the floor of the post office, accidentally misplaced. Many feel that George Gerard still haunts the hallways.

One member of our group was fluent in French, so we asked her to ask a few questions, hoping Mr. Gerard would respond. We didn’t receive any responses, so we moved on with the investigation.

(Above) Several members of the group during an EVP session. Photo courtesy of Traci Hoehn

 

One of the craziest things that happened during that session was a response to a question. Someone asked how they got there. “Forty-three,” was the answer. In many areas, the Spirit Box will pick up random radio stations, but New Harmony is too far away for that to happen. The box went through the stations several times without making a peep. When it blurted out, “Forty-three,” it was as loud and clear as though someone standing in the room said it. Was it in reference to a year? Or miles traveled? We weren’t certain and couldn’t get the man to expand further. Then, moments later, someone asked if there was someone there besides George Gerard and the same male voice said, “The first half.” Sometimes the responses don’t make sense to us. The first half of what? We asked but didn’t get an answer.

Our time was up on the first floor, so we moved up to the second floor, setting up our session in a room that was formerly used as a dormitory room. I decided to give the Spirit Box a break and broke out my dowsing rods. Nineteenth century ghosts are often apprehensive of our modern electronic devices, but will speak freely through the rods. We’ve always had great responses with them at Community House #2. I had the group pass them around so they could experience them firsthand. Some people are better with the dowsing rods than others. I think it’s because some people tend to overthink them. They will feel them begin to move and will adjust them, thinking they are moving them themselves.

Dowsing rod responses:

• There was a woman and a girl there – no men
• They weren’t young
• They were happy there
• They don’t want to stay there
• It was confirmed that there weren’t any men there (we were probably on the women’s side of the hallway. Women and men would have been separated.)
• They didn’t live there, nor did they work there or were customers there.
• They like playing pranks on people
• They didn’t have any pets

Our time was up on the second floor, so we moved to the third floor.

We started in the large main room and continued with our dowsing rod session.

• There was someone with us
• It wasn’t Nick Slater, Charles Slater or Albert, the three printers who we often talk to
• (I was feeling a female, which Traci confirmed) They asked if it was Mrs. Murphy but didn’t get a response, so we moved onto Spirit Box

I asked if they knew any of our names and didn’t get a response, so I asked if they liked to mess with Amanda when she was working there. Immediately, someone said, “Amanda.”

Amanda then asked, “What about Meagan?” and they responded with, “Not a thing.” Amanda asked if his/her name was included on the exhibit panels and a male voice responded, “Not all of them.” Seconds later, another male voice said, “Maybe.”

Another male voice said, what sounded like, “Carol Duval.”

After another minute or two of no answers, I suggested that we move into the print shop. At that moment, a male voice said, “We’re in a trial.” I found this interesting. Did he feel he was on trial with all our questions?

We got settled in and began asking questions. I asked if they could tell us their names and a male responded with, “Ain’t sure.”

We continued with the session, picking up the same male voice over and over again, although we couldn’t always make out what he was saying. At one point, it sounded like he said, “I’m beautiful,” which didn’t make any sense.  Then without warning, I began hearing male voices outside the room. The digital recorder caught it, but it’s hard to hear over the sound of the choppy Spirit Box.

Someone asked if they moved here for the Utopia. A male voice said, “I did.” She couldn’t understand what he said, so she asked if he could say it again. The same male voice said, “Hear the voice.” I’m not sure what that meant. Was he telling her to listen to the voice or was he talking to one of them, asking if they heard the voice? At the time, we thought he said something about a book.

When asked how many years they worked there, a male voice said “Quite a few.” It was very faint though. Directly after that, a child’s voice came through with the most heartbreaking question I’ve ever heard. We didn’t hear it at the time because it happened so fast, but she said, “Can I go home?”

We’ve known there were children there, but seldom hear from them during our sessions. Was she trapped and needed permission to go home? Someone asked if this was their favorite room and in the middle of it, you can hear a woman saying, “Go into the light.” This was astounding to me and really validated what I’ve always thought. If she was telling the child to go into the light, which is the pathway to Heaven. I hope she listened to the woman.

Amanda followed up on an earlier response that we thought we heard about a book. She asked if the book was in the building right now and the same male voice with the slight southern twang said, “That’s kind a tough.” Someone else asked what the last date they remembered printing on a newspaper. “I didn’t,” was the response, which makes sense if the person wasn’t a part of the printing offices.

Our time was up at Community House #2, so we moved on to the Fauntleroy Home.

(Above) The Fauntleroy Home. Photo by Joni Mayhan

 

The Fauntleroy Home was built in 1820 and was the fifty-third house built by the Harmonists. It is best known as the birthplace of the Minerva Society, one of the first women’s groups in the nation. The house is named after Robert Henry Fauntleroy and his wife, Jane Dale Owen Fauntleroy who lived there in the early to mid-1800’s. The house has been prone to ghost stories since 1848, when the first ghost was reported being seen on the staircase. By my estimation, it is the most haunted house in New Harmony.

(Above) An old photo of Mary Emily Fauntleroy sitting in the same area we investigated

 

As we sat in the entry room by the stairs, I explained to the group about the primary ghost who haunts the house. Mary Emily Fauntleroy purchased the house in the early 1900’s and turned it into New Harmony’s first tour site. She put her blood, sweat and tears into the house but couldn’t make ends meet during the Great Depression. The house ended up in possession of the state with the promise that she could continue to live in the house until she died. She lived there for many years, but when WWII broke out, the state ceased operations and booted her out, despite the promises. She moved next door to live with her brother Homer until she died.

The haunting accelerated about ten years ago when the house underwent a major renovation. The state wanted to return the house to a specific period and all of Mary Emily’s modifications and collection didn’t fit the 1850’s time period they were shooting for. They ended up removing most of her collection and tore down the additions she had made to the house. The haunting became angry after that and for good reason. Mary Emily was angry.

Amanda Bryden, who is in charge of the buildings, was one of the people who made the decision to restore and renovate the house.

I asked Amanda if there was anything she wanted to add and as she started to speak, the pinwheel that we placed in the middle of the floor suddenly was crushed to the ground. It didn’t merely fall over; it was pushed so hard that the plastic cup that was holding it became dented. “I’ll just shut up now,” Amanda said with a chuckle. She’s always felt that Mary Emily doesn’t like her because of the renovations and this might have been confirmation.

As I listened to the audio we recorded during this session, there was a strange crackly voice that came through just after she said that. We did a Spirit Box session for twenty minutes and got a few responses that weren’t clear, but nothing from Mary Emily. We moved up to the second floor.

Everyone agreed that the second floor feels far different from the first floor. It feels heavy and not necessarily welcoming. We always feel as though we’re being watched and possibly judged. It’s not a friendly space. As soon as we turned on the Spirit Box, a male voice asked, “Who you talking to?” I just went with the flow and answered him. “We’re talking to you,” I said.

I told them that I was doing a presentation at Workingmen’s Institute, New Harmony’s library, and asked if they wanted me to tell the people anything. “Go home,” the male voice said.

I followed up my question by asking if they’ve ever been there before. “Do I do everything?” he responded in a sarcastic tone. The man was very vocal during the session. Someone asked, “Were you happy in life?” He responded with, “This says buy me.” I’m not sure what it meant.

Someone asked who the president was and there was no response until a full minute later when someone asked if there were more than one ghost in the room. “Johnson!” a male voice blurted out, which was followed by another male voice that said, “You didn’t!”

Sometimes I wonder if they can hear us clearly or not. This was apparent when Mary Emily’s voice came through and answered a question. Someone asked, “Are you male?” and she said, “I am healthy.”

Then, the investigation got very interesting. Elizabeth Stowers attended the investigation and offered to take a few photos. As she took a photo, we heard a very loud “hello!” come across the Spirit Box. It was so loud, I thought it came from inside the room instead of across the box.
When Elizabeth looked at the photo, the lights streamed up from the Spirit Box to the ceiling.

I asked who said hi to us and a voice clearly said, “Edith.”

She took another photo and asked if they’d jump into it and the same female voice said, “Again?” In this photo, the lights were absolutely crazy. They buzzed out from all the devices and spun around the room. There has been some discussion about the photos. Several people feel they’re due to slow shutter speeds, but Elizabeth was using a flash. I don’t know enough about photography in low light situations to know if this can be explainable or not, but she took an additional dozen photos and couldn’t duplicate what she captured in the strange two.

(Above) The room was completely dark when Elizabeth Stowers took this photo. Several people have stated that a slow shutter speed will produce these results, but I find it interesting because a flash was used for the shot. Is it paranormal or just a slow shutter speed? You be the judge.

 

As she was attempting to duplicate the photos, we caught a male voice on the Spirit Box attempting to help her. He said, “Don’t move it.”

We finally gave up on the photos and sat back down to continue our session. Amanda asked if they used to live next door. The same female voice said, “No.”

We went around the room for several more turns and didn’t get anything, so we moved to dowsing rods.

Dowsing rods:

• He was a male
• As I asked if he used to live next door, I heard a disembodied voice. Upon play back, it is very faint, but sounds like it says, “Joni.” Most of the group heard it and we went to the windows to see if someone was walking past, but the streets were empty.
• He didn’t live at the Chadwick House next door
• He lived in New Harmony
• He lived across the street in the Neef-Lesseur house
• He lived there in the 1800’s
• He didn’t come over on the Boatload of Knowledge
• He didn’t know any of the Owens, Fretageots
• He worked in New Harmony
• I passed the rods and as I did, I felt a female behind me. We asked the rods.
• It was a female
• She was behind me
• She enjoys the company
• She wasn’t the one who manipulated the photo

I began feeling a very strong female behind me. We tried to communicate with her with the rods, but no one responded. Then, out of the blue, the house alarm went off. It goes off without fail every single investigation. We tried to find out who turned it on, but no one would take the credit.

Traci Hoehn, who often helps me with investigations, took over the dowsing rods. She explained to the group how she locks her elbows in tight and a ghost seemed to be listening too. We caught a female voice on the recorder saying, “Look.”

Continuing on with the dowsing rods:

• This room was her favorite place
• She didn’t have children
• She often travels to other buildings
• We were talking to Mary Emily
• She wished she could have had children
• We had a discussion about how Mary Emily was really married to her house and someone asked if she had suitors. No response on the rods.
• She was the one who knocked the pinwheel over earlier.

I suddenly saw the shape of a man appear in the doorway across from me. It stood there for two to three seconds and then disappeared. We asked the dowsing rods, but didn’t get a response. We continue for a few more minutes but didn’t get any further responses, so we moved onto the basement.

We settled in for an evp session. As we went around the room, I heard a humming sound, but no one else heard it. I heard it a second time and several others heard it too, but it wasn’t caught on the digital recorder. After we’d gone around the room several times, we moved onto Spirit Box. Someone asked what their names were and there was a faint response. It said, “Edward.” That was the only response we got. I could feel them in the basement, but they weren’t interested in communicating with us. We ended the session and walked back, taking our time to talk about the Harmonist Cemetery and the Scholars Retreat, which is the house Mary Emily moved to after being evicted from her home.

On the surface, it seemed like a fairly quiet night. We didn’t hear the loud door slamming or footsteps that we sometimes witness. Once I dived into the audio review, I quickly realized that this investigation was one of the most monumental encounters in my years of investigating the paranormal.

Some of the ghosts in New Harmony are eager to talk to us and we’re equally happy to listen.  Thank you to everyone who attended and to Amanda Bryden, the State Historic Site Collections Manager, for hosting this event. Much appreciation to Traci Hoehn for her assistance and photographs and to Crystal Folz for joining us after her Ghost Walk. Thank you Elizabeth Stowers for sharing your amazing photos with us too!

 

 

 

 

 

(Above) the first group who investigated the Fauntleroy Home

I’m happy to say that our last Haunted New Harmony investigation for the season ended on a high note. Both the Fauntleroy Home and Community House #2 were exceptionally active. After a few quiet investigations, we were worried the ghosts were worn out, but they came out in full swing for the end of our season.

Community House #2

Billy Miller, who normally handles the Community House #2 investigations, wasn’t able to make it, so Crystal Folz stepped in for the night. Crystal is a close friend and psychic medium who has helped me explored a lot of the hauntings in New Harmony for my book. She’s attended nearly every event this season as an assistant, so she was well acquainted with the resident ghosts and what to expect.

They had their biggest responses with dowsing rods. They learned that they were speaking with Nick Slater who was one of the printers who worked in the building. He often plays tricks on them during investigations, pretending to be someone else. He also has responded that he has a crush on Meagan Patterson who helps oversee the building.

They learned that another person they were speaking with liked to cook and prayed together with others. They also learned that there were children born during their period, which makes us believe they weren’t Harmonists, who practiced celibacy.

(Left) Meagan Patterson is one of the people who oversee the buildings we investigate. She has been to every investigation and has proven herself to be a valuable member of the team.

Later, they felt they were talking to an apprentice who became a printer, which could have been Charles Slater. They heard sounds downstairs, but nothing was there when they went to check it out.

Crystal instructed everyone on the proper use of dowsing rods. The second group had similar results as the first. The souls there responded that they were happy the guests were there. Someone asked if the ghosts would like them to leave and Crystal was quick to stop people from asking it again. If we ask that question and they respond with “yes,” it’s rude for us to stay. Typically, when we receive that response, we stop the investigation or at least move to another area of the building out of respect for their wishes.

Someone using the dowsing rods asked if the ghost followed them from the Fauntleroy Home and the response was “yes,” which made sense to Amanda. She said that Mary Emily Fauntleroy actually owned Community House #2 in the 1920’s. When they asked if it was Mary Emily, the dowsing rods said “no.” They spent a few minutes trying to figure out who it might be, but couldn’t determine the identity of the ghost.

(Left) The dark hallway on the second floor

Someone asked if the soul was a Harmonist and the rods responded with “yes.” Someone asked if they were there before the Community House was built and the rods responded with “yes.” This made sense to Amanda because there were many people who lived in the community in houses before the Community House was built. Once it was built, younger members of the group would have been relocated there.

• Did you work in this building – yes
• Did you work in the furniture store – no
• Did you cook food in this building – yes

Amanda felt it was a Harmonist so she asked if they also cooked food in the summer kitchen next door. The rods responded with yes. She went onto describe how the summer kitchen was beneficial. Cooking would have heated up the building and present fire dangers, so having a summer kitchen made sense.

• Did you live in Pennsylvania – yes
• Did you come to New Harmony by boat – no
• Did you come to New Harmony by wagon – yes
• Did you move back to Pennsylvania with the rest of the group in 1824-25? – no response

Crystal explained that she might have died before the group left and wasn’t aware of them moving back.

• Were members of your family also in this society – quick yes
• Did you have any children – no, which made sense since they were celibate
• Did you eat in the room on the first floor with the deep fireplace – yes, which makes sense since they feel it was the kitchen.

Did men live on one side and women on the other side? No. This was surprising to them because they’ve always thought the sexes were separated. Carijuan Shafer, who was a tour guide for years in town, felt that it might have been from an earlier time before they separated the sexes.

• (Left) Joni with Crystal Folz
• Did you attend church in the wooden church? Yes
• Did you attend church in the brick church? No

The group stopped getting responses so they moved to the second floor. Crystal explained that the previous group was hearing sounds behind them when they were sitting in the hallway. Some took two photos of the hallway. One photo was completely black and the other one had a white light in it. They also thought they saw someone standing behind Paula, who was acting as the hall monitor for the group.

One of the people said they felt a lot of energy at Fauntleroy Home, but wasn’t feeling the same at Community House. Crystal began exploring it with the group, explaining that there was different energy in the two locations. Carijuan Shafer told her about some of her experiences at Community House when she was a tour guide. She said she often heard people walking around, going about their day, but never felt threatened by them.

Crystal split the group into two, putting several people out in the hallway to see if they saw any shadows, while the other portion of the group went into a small room that was once used as a dormitory room.

They told the group about Gretchin Iron’s experience when she came to film for Channel 44. When she walked past the bathroom filming, the bathroom light was off, but when she walked back past it, it was on. Carijuan told them that she also had a lot of similar experiences with the light when she was there as a tour guide.

They asked if there was a male in the room. The flashlight flickered and then the rods responded with “yes.” Crystal explained that they might be communicating with Nick Slater, who was the printer’s son. They’ve had several encounters with him in that room, so they began directing their questions towards him.

• Are you the printer’s son – no.

Amanda explained that Nick was also a printer, so they asked him if he was a printer and the rods responded with “yes.”

• Did you like it here – No
• Did you act in plays in New Harmony – No. Amanda knew that Nick did once act in plays, so either Nick was tricking them, which he often does, or they were talking to someone else.

Crystal began redirecting the questions towards a little boy with a crutch that they’ve communicated with before.

• Is the little boy with the crutch here tonight? No
• Did he live in this building? Yes

Amanda explained that the Harmonists often took in orphans, as well as women and children from other communities.

• Was the little boy an orphan? Yes
• Did the Harmonists take him in? Yes
• This resonated with Crystal. He didn’t feel like he was one of them.
• Did he attend school here in New Harmony? Yes

Crystal began to wonder if the little boy was capable of talking. It seemed like someone else was speaking for him.

• Can the little boy speak? No
• Is he mute? Yes
• They began speculating that he might also be deaf.
• Is he deaf? No

Amanda explained that he could have had a trauma that stopped his speech. It could have been physical or mental.

• Was he born mute? No
• Did a trauma cause his muteness? Yes
• Did he have any siblings? No

Did something happen to his parents? No response. Carijuan explained that sometimes when children were born with defects in that era, the parents wouldn’t raise them. They would just take them to an orphanage. They began wondering if he came with them from Pennsylvania.

• Were the boy born here? No
• Was he from Pennsylvania? No response
• Was he from Germany? No response

Amanda wondered if he was born somewhere near the area, but not in New Harmony. No response. They wondered if he simply didn’t know where he was born, that he was dropped off there as an infant.

They then switched out the group. The people who had been in the room went into the hall and the hall people came into the room. Crystal explained who they felt they were talking to, so they continued.

• Did the little boy with the crutch go back with the group to Pennsylvania? No response
• Did he stay in New Harmony? Yes
• Does he have descendants here? No response

Crystal explained that ghosts often show themselves in the way they are comfortable. She explained that the little boy wasn’t communicating with them because he couldn’t speak in life, that someone else was answering questions about him.

Amanda explained that when the town was sold to the Owens, the majority of the Harmonists moved to Pennsylvania. Several of them might have stayed and not moved with the group, but they probably wouldn’t have stayed in town. The Owen group was so different, it would have been a culture crash for them and they wouldn’t have wanted to stay.

• Was he born with a disability or a lame leg? No

Crystal felt he had been in an accident, so they began directing the questions in that manner.

• Was he hurt by a cannon? No

They knew there was an accident involving cannon and a little boy was injured, but after the response, they knew that wasn’t the case.

• Was he hurt on a boat? No response.

They decided to move the group up to the third floor since they only had 45 minutes left.

Crystal asked the group how they felt, if they were feeling any energy. Most of them just felt cold because the temperature was cooler there. Many of them were getting worn down. It was getting late and they were getting tired.

Crystal explained that they needed to be gentle with their questions. Asking about their death or about accidents might make them feel uncomfortable. She said they needed to use empathy and compassion and realize they were talking to actual human beings.

She moved a small group into the print shop.

• Are there any spirits here? Yes
• Are you a child? No
• Are you a female? Yes
• Did you wear the high collar with a broche? No
• Were you a Harmonist woman? No

Were you a modern New Harmony woman?  No response that was marked. They began talking about all the lives that moved through the buildings. Since Carijuan’s godmother was Jane Blaffer Owen, she wondered if she was there with her.

• Are you Jane Owen, my Godmother? Yes
• Did you enjoy the baked goods that I brought you? No. Carijuan explained that she was asking a question to see if she was actually talking to her or not. She never brought her baked goods, so the no response was accurate.
• Carijuan knew that Jane Owen didn’t like the color blue.
• Do you like the color blue? Yes

That led them to believe they weren’t talking to Jane, so they redirected their questions, wondering if they were talking to Nick Slater, who is often a trickster. He pretends to be other people.

Crystal wasn’t convinced they were talking to Nick. She began wondering if they were talking to someone else altogether. She wondered if one member of the group had an attachment that followed her to the investigation.

• Did you come here with someone today? Yes

Crystal went around the room and had everyone ask if the ghost was there with each of them. When Paula asked, the rods responded with “yes.” Crystal then asked if it was a grandparent of Paula’s, but it responded with “no.”

• (Left) Paula Bundy and me. Paula is a childhood friend who has been to every one of my investigations, acting as a group assistant. She wasn’t a ghost hunter before she met me, but she is now.
• Are you the ghost who hung out at Paula’s house for a while? Yes
• Are you a female? Yes
• Are you a male? No response. They asked to make sure they weren’t dealing with a trickster. Crystal then asked a question she knew the answer to.
• Have you seen Paula’s four grandchildren? (Paula’s daughter is pregnant, but she doesn’t have any other grandchildren) No response
• Do you startle Paula’s cat (she doesn’t have a cat)? No response
• Are you from Paula’s property from before her house was built? Yes
• Can you point to Paula? The rods pointed to Paula after a few moments
• Do you understand personal boundaries? No
• Do I have a pet bird (Crystal asked)? No response (Crystal does have a bird, so she deducted that the ghost wasn’t familiar with her)

They tried to get the ghost to move the pinwheel, but weren’t successful. Crystal began wondering if it was too difficult for them to move, so Crystal had them ask if they could make the lights blink. The lights immediately blinked. The group was astounded.

They tried to determine the time era of the ghost they were talking to, so they began asking questions about music. The ghost didn’t know who the Bee Gees or Elvis Pressley was. They asked about the Andrew Sisters and they didn’t know.

• Do you know who the Gershwin Brothers are? Yes (this put it at the 40’s)
• Are you Kenneth Dale Owen? No
• Are you related to the Owens? No
• Are you an actor? Yes

They deducted that they were speaking with a male actor from the 1940’s based on their responses. Carijuan knew that John Wilkes Booth performed as an actor in the 1940’s and performed with the Golden Troupe in New Harmony. They switched out the group and continued with the same line of questioning.

• Is John Wilkes Booth here? Yes

(Above) Carijuan Shafer chatting with Amanda Bryden during break

Crystal wasn’t convinced they were actually talking to John Wilkes Booth, knowing they often have a trickster respond.

• Do you not like me? No
• Did you perform with the Golden Troupe? Yes
• Did you know Dr. Mudd? Yes (this was a performer who broke his leg after he jumped off the stage)
• Are you pretending to be John Wilkes Booth? Yes. The group began laughing, thinking they might be talking to Nick Slater again.
• Are you Nick Slater? Yes

Despite the interesting responses with the dowsing rods, the group did not record a single EVP. The ghosts in this building were obviously more interested in non-technical communication.

Fauntleroy Home

The energy is decisively different at the Fauntleroy Home. Instead of being light and playful, the ghosts there are intense and somewhat aggressive. The minute you walk in, you can feel it. Some of them don’t want us there, but others are more forthcoming with communication.

Carijuan told the group some of her stories from her years acting as a tour guide in New Harmony. The Fauntleroy Home was her home base when she worked for the state. She would spend many hours a day there, documenting the historical artifacts.

We spent some time in the foyer area, attempting to communicate with the resident ghosts. We did several rounds of straight EVP, where we only spoke questions and recorded dead space, hoping to receive an EVP. We didn’t get anything so we moved to Spirit Box.

I put four people in the room that was once the location of the original kitchen in the home. They had dowsing rods to use to see if they could get anyone to communicate with them and felt as though they were getting valid responses.

(Above) Emily Nix and her mother Judy using dowsing rods

In the foyer, we did receive a few spirit box responses. Someone asked if they could ask if there were any educators there. A voice responded, “You can.”

We asked how long they lived here and a voice said, “ten years.”

We asked if they traveled anywhere and a female voice said what sounded like, “Urika.”

(Above) The first group in an EVP session in the entry room

After a half hour in the foyer area, we moved the group upstairs. I put another group in the smaller bedroom just off the master bedroom to use the dowsing rods. The rest of the group stayed in the master bedroom, which is one of the most active spots in the house.

We asked them to tell us their names and someone said, “Lori.” We heard another male voice come through, but couldn’t understand what he said.

As we were sitting there, both Amanda and I heard a door slam. It sounded like a door in the house, so we leaped up and raced downstairs. Nothing was amiss, so we returned back to the group.

We had placed a flashlight on the mantle to see if the ghosts would turn it on. I always use a “cold” flashlight, one that hasn’t been used during the evening because flashlights that have been used can easily arc and cause the light to intermittently go on and off, making everyone believe they’re getting ghost responses. Someone asked if they could turn the flashlight on and I recorded perhaps the best EVP of my career. A woman’s voice said, “It’s hard for me.” The voice sounded exactly like Mary Emily Fauntleroy’s voice. I was astounded. And then the flashlight came on! I probably learned more through this one response than I’ve learned in years of investigating the paranormal. What it told me was that not all of them are capable of manipulating our equipment, but they are able to turn the flashlight on and off.

Carijuan began talking with Mary Emily, reminding her that her mother used to bring her to church every Sunday. She asked if Mary remembered that and the flashlight came on instantly.

I looked down and realized that my Mel Meter was at 2.5. Normally, it stays at zero and never budges, but it was recording EMF spikes the last investigation and was doing it again now. I asked if they could make it go to 2.5 and received a message on the Spirit Box. The same voice as before, which we believe is Mary Emily, said, “I’m going to tap it.” It was obvious that she was trying to communicate with us.

It went back down again, so I thought I’d use it as a communication device. I asked if the person who was communicating with us was female to make it rise to 2.5 again. A male voice said, “people.” I’m not sure if he was being sarcastic because we were exhausting them or if he was telling us that there were both male and females there.

I told them, “You’re making my day. Thank you!” and received a Spirit Box response of “I did it.” It was the same voice as before. I truly believe that Mary Emily was attempting to communicate with us as best as possible.

“Are you glad Carijuan is here tonight?” someone asked.

“I am,” was the response. The flashlight flickered at the same exact moment.

We asked a few more questions without getting any clear responses. Someone said, “We’re going to have to be leaving soon. Is that okay?” A voice came through and asked, “Where are you going?” She told him we were going to Community House #2 and asked if he’s been there.”

“I have,” a female responded.

This was getting crazy. We were having full blown conversations with the ghosts!

We couldn’t seem to get them to tell us their names though. Someone asked if they were afraid to tell us their names and the flashlight came on. Someone else asked again why they wouldn’t tell us their names and a voice said, “Again?” This was perplexing. Had they already told us, but we hadn’t heard it? We didn’t understand what we were hearing at the time. I only figured this out after listening to the audio recording during my review days later. We thought she said, “Annie” or something similar. We didn’t get anything else after that and headed back to Community House #2 for our break.

My second group through Fauntleroy Home was a different experience. The energy felt very agitated and angry the minute we got back in. I repeated my process with the second group and moved a small group of people into the kitchen area to work with the dowsing rods.

The group in the smaller room was having a great experience as they connected to loved ones. They began getting relevant responses to questions and learned a great deal about their loved ones.

It grew very quiet on the Spirit Box. Unlike the first group, this group didn’t even receive a single response to the questions they asked. It was apparent the ghosts were getting tired of us. I began watching the shadows at the edges of the room and began seeing movement, but it wasn’t anything I could document as paranormal.

The group thought they heard the sound of music, but it could have just been the Spirit Box briefly landing on a radio station. Meagan and I began to see the bells hanging from the doorway moving back and forth. They were swaying so slightly, it took a few minutes to really determine whether it was just our eyes playing tricks with us or actual movement.

We moved upstairs, hoping for more activity. While we were upstairs several people felt pressure in their ears or developed headaches, me included. It felt like being underwater and needing to pop your ears.

Unlike the first group, we hardly had any reaction with the flashlight. Perhaps it was too difficult for them to use. We did continue to have more reactions on the Spirit Box though.

We went around the group to introduce ourselves. The last person to say his name was Rick. Immediately after he said his name, a ghost said, “Rick” on the Spirit Box.

Not much later, Rick asked if he could talk “man to man” with the ghost. Apparently, the female ghosts took offence with this. “Women,” a female voice said.

I asked if we had someone new to the house with us and a voice came across and said, “Not tonight.” I wasn’t sure what that meant, but it was an interesting and very clear response.

The group thought they heard a response about gin and took the conversation in that direction. Upon review, they didn’t say gin. The response was something else that wasn’t a clear enough response to make out. They asked if they made their own gin and a male voice responded with “no.”

Rick asked if they knew his dog’s name, but we didn’t receive a valid response. A female voice told us, “That’s freaking me out.”

I played several old songs from my iTunes for them but didn’t really get a response. I think the ghosts were getting tired at that point. We called it a night not long afterwards and returned to Community House #2 for a group review of the night’s events. Everyone agreed that Fauntleroy Home was the more active of the two buildings but still had an enjoyable time experimenting with dowsing rods at Community House #2.

It was a great investigation and nearly everyone had a personal experience they couldn’t explain. I am thankful to the ghosts in the house for communicating with me and hope they have a nice break. This was our last investigation of the season, so I’m thankful to give them the break they need.

Thank you to everyone who came out to the event and to those who helped make it great!